Thursday, January 17, 2013


Megan M. Garwood reviews POWERTIES at Julian Navarro Projects

Guerra de la Paz loudly criticizes societal apathy while simultaneously expressing a tacit consent to hegemonic power. In contrast to the more pervasive contemporary artists who playfully present motif drenched in satire, this two-person collective from Miami gives us a very intense, literal read. Guerra de la Paz’s exhibition Power Ties illuminates corporate humanity through tight aesthetics and visual language and reminds us how much we can gain by viewing Cuban art in the context of diaspora.

Long Island City, NYC

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